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Design for a Rug
Design for a Rug
Design for a Rug

Design for a Rug

PeriodCirca 1940 - 1955
Place MadeFreehold, New Jersey, U.S.A.
MediumGouache over graphite on heavy watercolor paper
Dimensions17.06 × 15 in. (43.3 × 38.1 cm)
SignedThe design is signed "Conlin" in the lower right corner under the image. "02132 / 1/3 scale / A. & M. Karagheusian, Inc." is written in black calligraphic handwriting below the design.
ClassificationsA. & M. Karagheusian Rug Mill Collection
Credit LineMuseum Purchase, 1999
Object number1999.14.5
DescriptionA design for a rug, with stylized sage and blue-green two-tone leafy branches over a light green and dull brown mottled background. A color bar is rendered below the left corner of the main design, with three squares of color. The first color square has a light green mottled pattern on brown, with additional colors of blue and sage green solid colors.
Curatorial RemarksThe Karagheusian brothers, Arshag and Miran, began their rug manufacturing business in Freehold in 1904 when they purchased the defunct V. Henry Rothschild Shirt Factory on Jackson Street. The brothers converted the plant into a carpet and rug factory. At its peak, A. & M. Karagheusian was the second largest privately owned carpet manufacturing business in the world. It employed 1,700 men and women and was best known for the introduction of its "Gulistan" carpet line. During World War 2, the Mill converted to wartime production, weaving heavy cotton canvas known as "duck," used for tank covers, tents, and bags. After the war ended, the mill resumed normal operations. The Mill was in operation until 1961, when management moved the company south. Post-war labor troubles, new carpet manufacturing techniques, and an outdated factory complex were the main reasons for the company's relocation.NotesThe Karagheusian company procured carpet designs in several ways. Members of the Research and Design Department would go out on buying trips several times a year, visitng independent designers to view and purchase specific designs. In addition, full-time design staff members would develop designs in-house for the rug firm. After an initial design was approved, the design was converted to a grid format, each square representing a tuft of carpet. The grid color key was then converted to loom punch cards. These cards, which closely resembled early computer punch cards, were threaded together in sequence and attached to a loom.The cards controlled the colored spools of yarn, producing the finished carpet pattern. Virtually all the Freehold mill's records were incinerated prior to the firm's relocation to the south, so little is known about specific customers and contracts. However, the Karagheusian Rug Mill did provide carpeting for numerous commercial and public spaces, including Radio City Music Hall, the United States Supreme Court Building, and local businesses such as the Berkeley-Carteret Hotel in Asbury Park.
Design for a Rug
A. and M. Karagheusian
Design for a Rug
A. and M. Karagheusian
Design for a Rug
A. and M. Karagheusian
Design For a Rug
A. and M. Karagheusian
Design for a Rug
A. and M. Karagheusian
Design for a Rug
A. and M. Karagheusian
Yarn Sample Color Cabinet
A. and M. Karagheusian
Carpet Sample
A. and M. Karagheusian
Carpet Sample
A. and M. Karagheusian
Carpet Sample
A. and M. Karagheusian
Carpet Sample
A. and M. Karagheusian
Yarn Sample Case
A. and M. Karagheusian